Winter Wooskie - Belle And Sebastian* - Push Barman To Open Old Wounds (CD)
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With hindsight, Murdoch possibly did need a break but tracks that seemed anomalous or out-of-place at the time are far more compelling now. The move away from Murdoch's personal voice to a process of true collaboration and democritization not only initiated a sharing of songwriting duties but richer sonics and an emphasis on common touchstones, which resulted in the band favoring lush throwbacks to Northern Winter Wooskie - Belle And Sebastian* - Push Barman To Open Old Wounds (CD) and s baroque pop and sonically or lyrically referencing artists such as Love, the Beach Boys, and Motown where they once Winter Wooskie - Belle And Sebastian* - Push Barman To Open Old Wounds (CD) tracks and albums from more private obsessions such as Felt, Josef K, and the Pastels.
The Biblical metaphor and Stevie Jackson vocals on "Jonathan David" aren't the post- FYH gut-punch they once were-- and the song's bridge, piano fill, and harmonies are glorious.
Murdoch's stilted Arthur Lee impersonation seems appropriate for the on-the-heels lyric, a constipated delivery for a track with a protagonist trying and failing to mask his pain and maintain dignity and pride while his romantic world crumbles. The baroque sophistipop arrangement is exquisite craft without sacrificing emotion for polish; listening it to it now makes it clear how unsurprising it should have been that the band would later hook up with producer Trevor Horn.
The studio version is inferior to earlier Winter Wooskie - Belle And Sebastian* - Push Barman To Open Old Wounds (CD) but it's still retains a graceful, slippery beauty.
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