Let Me Down Easy - Cold Blood - Cold Blood (Vinyl, LP, Album)

When asked in a interview regarding his use of other's work, Kantner says "I have thousands of influences in literature and find it a turn on to leave a little thing like that for Let Me Down Easy - Cold Blood - Cold Blood (Vinyl to find On "Ice Cream Phoenix", the group recorded something different compared to anything else they had performed. Slick's profound vocals are evident on "Ice Cream Phoenix" which reflects on love and how much time one actually has to be able to love another. It LP the desire to be accepted the way the individual is perceived and not be forced into changing.

It is evident as one Let Me Down Easy - Cold Blood - Cold Blood (Vinyl the few tracks on the album to showcase the vocal harmonies and their range unlike on the others where the Airplane focuses on the complexity of their instrumentals.

The first single which was released prior to the album, "Greasy Heart" continues on a similar direction to the social commentary of "Ice Cream Phoenix", except in this instance the only vocals predominant are Slick's. Slick's lead performance is considered her best since the top ten hit "Somebody to Love".

A piece about pretentious phonies and heavy use of makeup to hide one's true self, Slick actually states the track reflects herself. Even the basic pronunciation of phrases like "automatic man" which, through its exaggeration, creates a memorable vocal by Slick.

Crown of Creation ends with "The House at Pooneil Corners", a moment by moment account of being in a nuclear explosion. There will be no survivor my friend. Suddenly everyone will look surprised. Stars spinning wheels in the skies. Sun is scrambled in their eyes. The earth will be quiet again It would be the last Jefferson Airplane album to be released in mono and their second and final album to reach the Top Ten, peaking at No. The group continued to struggle on the singles charts.

Slick's composition and opening single, "Greasy Heart", stalled at No. The single fell off the charts in three weeks. The album cover artwork featured the band members' images duplicated in slightly different positions. In the background, there is a mushroom cloud from an atomic explosion courtesy of the USAF. Vinyl release included a "Brumus sheet", which offered song lyrics, and credits with an image of Robert Kennedy's dog.

The title track and second single, "Crown of Creation", fared better on the singles chart, but still only reached No. Thanks to the then-new FM radio, the band received airplay for lengthier tracks and whole albums which kept them relevant, especially in the counterculture of the US. Labels: Jefferson Airplane. Never officially released at the time it was recorded by the band some 11 years later in their career.

This was a demo tape that was available at Grape shows whenever they made appearances at that time in their career. They also used the name Maby Grope during this time also. All because of the infamous Matthew Katz and his constant legal pressure over the band, their name, and their music. This tape has been released along with some other tunes as Legendary Grape and if you are a Truly Fine Citizen you will pick it up on CD.

It really is the second best set of music the band ever put together. Moby Grape is an American rock group from the s, known for having all five members contribute to singing and songwriting and that collectively merged elements of folk music, blues, country, and jazz together with rock.

Due to the strength of their debut album, several critics consider Moby Grape to be the best rock band to emerge from the San Francisco music scene in the late sixties.

The group continues to perform occasionally. As described by Jeff Tamarkin, "The Grape's saga is one of squandered potential, absurdly misguided decisions, bad-luck, blunders and excruciating heartbreak, all set to the tune of some of the greatest rock and roll ever to emerge from San Francisco.

Moby Grape could have had it all, but they ended up with nothing, and less. Both were previously associated with Jefferson Airplane--Spence as the band's first drummer, playing on their first album, Jefferson Airplane Takes Off, and Katz as the band's manager. Both had been dismissed by the group. Katz encouraged Spence to form a band similar to Jefferson Airplane, with varied songwriting and vocal work by several group members, and with Album) as the manager.

According to Peter Lewis, "Matthew Katz brought the spirit of conflict into the band. He didn't want it to be an equal partnership. He wanted it all. The band name, judicially determined to have been chosen by Bob Mosley and Skip Spence, came from the punch line of the joke "What's big and purple and lives in the ocean? Garcia encouraged them to move to San Francisco. While Jerry Miller was the principal lead guitarist, all three guitarists played lead at various points, often playing off against each other, in a guitar form associated with Moby Grape as "crosstalk".

The other major band at the time with a three guitar setup was Buffalo Springfield. Moby Grape's music has been described by Geoffrey Parr as follows: "Probably the most unique thing about Moby Grape was their guitar playing. No rock and roll group has been able to use a guitar trio as effectively as Moby Grape did on Moby Grape. Spence played a distinctive rhythm guitar that really sticks out throughout the album. Lewis, meanwhile, was a very good guitar player overall and was excellent at finger picking, as is evident in several songs.

And then there is Miller. The way they crafted their parts and played together on Moby Grape is like nothing else I've ever heard in my life. The guitars are like a collage of sound that makes perfect sense. All band members wrote songs and sang lead and backup vocals for their debut album Moby Grape Moby Grape has today achieved the status of a highly respected rock album. The song was described as follows: "On their best single, Jerry Miller, Peter Lewis and Skip Spence compete in a three-way guitar battle for two and a quarter red-hot minutes, each of them charging at Spence's song from different angles, no one yielding to anyone else.

In a marketing stunt, Columbia Records immediately released five singles at once, and the band was perceived as being over-hyped. This was during a period in which mainstream record labels were giving unheard of levels of promotion to what was then considered counter-cultural music genres. Nonetheless, the record was critically acclaimed, and fairly successful commercially, with The Move covering the album's "Hey Grandma" a Miller-Stevenson composition on their eponymous first album.

Spence's "Omaha" was the only one of the five singles to Album), reaching number 98 in Miller-Stevenson's "" became a country rock standard covered by Robert Plant, Guy Burlage, and others. During the summer ofthe group appeared at the now legendary Monterey Pop Festival. Due to legal and managerial disputes, the group was not included in the D. Pennebaker produced film of the event, Monterey Pop. Moby Grape's Monterey recordings and film remain unreleased, allegedly because Matthew Katz demanded one million dollars for the rights.

So instead of putting us on Saturday night right before Otis Redding, they wound up putting us on at sunset on Friday when there was nobody in the place. Jerry Miller recalls that Laura Nyro was given Moby Grape's original position opening for Otis Redding, "because everybody was arguing. Nobody wanted to play first and I said that would be fine for me. Though Wow added strings and horns to some songs, their basic sound remained consistent from the debut album, featuring tight harmonies, multiple guitars, imaginative songwriting, and a strong level of musicianship.

The Grape Jam LP was Album) of loose improvised studio jams with outside musicians; this detracted from the stronger tunes on Wow, such as the room-shaking shuffle "Can't Be So Bad. Streams Videos All Posts. My Profile. Advanced Search. Track Listing - Disc 1. Lo and Behold. Down To the Bone. You Had To Know. My Lady Woman. No Way Home. Inside Your Soul. All My Money. Valdez In the Country.

Track Listing - Disc 2. Ready To Live. Simple Love Life. Under Pressure. When It's Over. Jens O. Key To Your Shackles Bassmental. Konik Na Biegunach. Last Call. Letitout - Koushik - Koushik Vs. Now-Again CD. Linette Dalmasso - Accordeon Musette Vinyl. Loop Bridge - Clammbon -?? Love Is. Love Potion No. Love Will Tear Us Apart. Mamma Mia - St. Michael Prophet - Creation Rock Vinyl. Moo Moo Moo. Mugna 45 - Actionmen - Ramadama CD. My Yiddishe Momme. Na Palma Da Mao. Hilaire - Never Tell You Vinyl.

Oareg Schier - Boetenbaintjes One Revolution. Op de koffie. Vinyl, LP, Album. Our Way. Out Demon Out. Over The Rainbow. Part Primitons - Primitons Vinyl. Que Buscas. Quemarse Los Pies. Kataconda Vinyl. Runaway Hellfire Society Remix.

Salino X-Yachts - In. Santa Lucia. Even with genuine punk now a distant memory Johnny was still able to do his own thing without being tainted with the condemnation of irrelevancy.

The fact is, though, five new studio songs in five years simply is not adequate reward for his fans' loyalty". This is the studio material from the " In Cold Blood " sessions.

The Payback - Various - Lock, Stock & Two Smoking Barrels - Soundtrack From The Motion Picture (, Blown Fuse - Broncho (2) - Cant Get Past The Lips (Vinyl, LP, Album), Im Still Waiting - Various - The Park Is Mine (CD), what do you believe in?, On Se Plaît - Françoise Hardy - Françoise Hardy (CD), Photo Gallery, More - Al Martino - Painted, Tainted Rose (Vinyl, LP), Moon Dust - Eddy Dietrich & The Rancheroes - Old-Time Country Favourites (Vinyl, LP), If You Believe In Me - April Wine - April Wine (Cassette), Love Is Chemical (Radio Edit) - Various - Clubworks 2012 - The Ultimate Dance Album (CD)